My father Pulin Babu lived and died for Indigenous Aboriginal Black Untouchables. His Life and Time Covered Great Indian Holocaust of Partition and the Plight of Refugees in India. Which Continues as continues the Manusmriti Apartheid Rule in the Divided bleeding Geopolitics. Whatever I stumbled to know about this span, I present you. many things are UNKNOWN to me. Pl contribute.
Palash Biswas
Starring: Vidya Balan, Naseeruddin Shah, Emraan Hashmi, Tushar Kapoor Directed by Milan Luthria Rating: **
It might be debatable whether The Dirty Picture is based on the life of sex siren Silk Smitha or not, but the film ventures into an interesting, contentious zone. The story of a small-town girl who uses her sexuality to get ahead in a patriarchal, male-dominated world begins with a lot of promise. Not apologetic in the least, Reshma aka Silk (Vidya Balan) is hardly the victim in the game she plays with the several men in her life, including an aging star (Naseeruddin Shah), his pliant brother (Tushar Kapoor) and proud director (Emraan Hashmi). In fact, in a rousing speech at an awards ceremony, the high point of the film, she gives it back to them for their hypocrisy and chauvinism. You can feel the power she has. But things progressively take a maudlin turn in the second half, as she is left with few options. Is there no way out for women like her? Is this what the film ends up reiterating? Bad girls finish last? The film crumbles while negotiating the thin line between a woman's inherent power and her vulnerability.
Perhaps because the director is too in-your-face in handling the provocative theme. Things get too over the top. Whether it's the heaving bosom, the peekaboo bra strap, the prominent paunch or lip-bite routine, Vidya Balan is uninhibited and playful but leaves one wondering if in celebrating the liberation of a woman's sexuality, the film actually also ends up pandering to the voyeur in every viewer. Is that the reason for a 'woman-centric' film's success in a male-dominated industry?
The characters are set in the film industry in the south. The recreation of the time, the place, the kitsch, colour and the people alternates between the real and the caricaturised. Every interaction is built like a big encounter. And the film is structured as a series of such encounters, one leading on to the next. Instead of conversations, it's dialoguebaazi. It feels terribly odd to find every character speaking in double entendres, every sentence full of wordplay and innuendoes—an obvious hangover from Luthria's hit Once Upon A Time in Mumbaai. But every film can't hang on the same formula, however successful. Wish Dirty Picture had a lingo of its own. And a slightly subtler one at that.
Nandan Nilekani appointed as Chairman of program to provide unique identification numbers
BAMCEF And RASHTRIYA MULNIVASI SANGH 26th National Convention,
Vaman Meshram Explains Caste system and Discrimination in context of Indian History
Action DECLARATION
National President Mulnivasi BAMCEF Declaers ACTION sinc 2010 AS socia,geographical and Global Networking COMPLETE.Twenty Nine State ORGS with more than Two THOUSAND Castes Came Togetherl
Ladies Serve FOOD
a Glimpse of Community Kichen
Hits
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Facing My People
Me Addressing my Kith and Kin and speaking on UNIQUE Identity Number and Mass Destruction Agenda
Dharamaveer, then Governor of Bengal 9second from Left) with Jyoti basu, deputy CM, Mrs Indira gandhi, PM and Ajoy Mukherjee , CM. Dharamveer belonged to Dhramanagari in Bijnore, Sabita`s maternal Home. Bengali Refugees in Bijnore had been resettled in the State of King Jwala Prasad. Dharmaveer was the Eldest PRINCE of the State
Marichjhanpi Massacre, First genocide by the Marxist Brahaminical Hegemony
Mahendra singh Tikait, the leader of bharatiya Kisan Union and me during the Massive Rally under Peasant uprising in western UP
The Poet with Us
Baba nagarjun the Poet at our Amravati residence where he stayed with us. From Left Shobhakant , the youngest son of the Poet, Me ,Baba and Sabita
Me and Sabita in Home Town
Me and sabita in our Home Town Nainital after our marriage
Cancer Ward
ND Tiwari assureing my Dying father who later succumbed to Cancer in 2001 that he would establish a canser Hospital as my father wished last. Tiwari never Visited Basantipur after my Father`s death and simply forgot about the hospital
MIli and Subhash with the Poet
Mili, My cousin Subhash `s Wife, who died succumbing to Septosemia in NRS Hospital on first May 1995, Subhsh, Me and Sabita with the Prominet Hindi Poet Baba Nagarjun who also died later flanked by Left Totan , only son of Mili and subhsh and Tussu. Baba satyed with us in 1992
Tussu in darjiling
My son Tussu in darjiling the place we visited together
MY family
Standing from Left Sisiter Bhanu and Bharati, Namita wife of Padmlochan, Sabita, Jethima, Mother Basanti devi and othersSeated from LeftPadm Lochan , my younger Brother , my Youngest Brother, Arun , My cousin with his daughter KRISHNA, Jethamoshai, My Father Pulin babu, me and panchanan, my youngest Brother Panchanan and seated on floor the generation Next
Generation Next
From Left, Biplab , the eleder Son of Padmalochan my brother, Tussu my son and Tutul, the yonger son of Lochan. Biplabis no more as heexpired on 25th May 1991, four days after the death of rajiv Gandhi in Bomb Blast. biplab sucumbed to Fever at aged only Six
Meeradi
My eldest cousin Meeradi with her Grand son shivanand who is a Young Man but Deaf and dumb
My villagers
My Villagers during the last journey of their Comrade, and head of the Village family, Pulin Babu
Last Rites
We all brothers and boys at home during Last Rites of my father while Jethamoshai looks on
FRIENDS in DSB
Me9thirdfrom left with DSB Friends in seventies
JETHAMOSHAI
My Father`s elder Brother
ND Tiwar at Home
ND Tiwari on the Death Bed of his Close Friend, my Father accepts ISHWAR KI Galti
Me in GIc
Whie I landed in Nainital GIC
Mango Tree at Home
This Mango TREE is Identity Mark at Home in Basantipur
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