#Embroidered Quilt#, a focus on the poet Jasimuddin and his works to understand the Chemistry and Physics of Communal Politics which inflicts the Indian pshyche countrywide and specifically in Bengal where it originally roots in.
Palash Biswas
#Embroidered Quilt#, a focus on the poet Jasimuddin
The video is not technically good and I have not the expertise to edit videos.There might be some mistakes while speaking just because of tongue slip.But if you have the courage to go through the video,it might help you to understand Bengal and partition scenario.partition scenario.Jasimuddin represented Indian peasantry and rural India more than others.
Relgious polarization in Bengal seems to be reintroducing the politics of divide India yet again.I want to discuss on Jasimuddin`s works to understand the social fabrics in Rural India which might be quite relevant to deal with this calamity.
Because I used the web camera of my PC to include the visual clippings,it might not be as good as as a afar as the visual and sound qualities are concerned.
Because the history of the Indian holocaust is highly biased and it excommunicated the victims,the peasantry itself, a focus on Jasimuddin wroks would be helpful to understand the chemistry and physics of communal politics which envelops Indian psyche,society and culture.
Thus,I dare to share this video.
Jasimuddin (30 October 1903 – 14 March 1976; born Jasim Uddin)[1] was aBengali poet, songwriter, prose writer, folklore collector and radio personality. He is commonly known in Bangladesh as Polli Kobi (The Rural Poet), for his faithful rendition of Bengali folklore in his works.
Jasimuddin is noted for his depiction of rural life and nature from the viewpoint of rural people. This had earned him fame as Polli Kobi (the rural poet). The structure and content of his poetry bears a strong flavor of Bengal folklore. His Nokshi Kanthar Maath (Field of the Embroidered Quilt) is considered a masterpiece and has been translated into many different languages.
Jasimuddin also composed numerous songs in the tradition of rural Bengal. His collaboration[4] with Abbas Uddin, the most popular folk singer of Bengal, produced some of the gems of Bengali folk music, especially of Bhatiali genre. Jasimuddin also wrote some modern songs for the radio. He was influenced by his neighbor, poet Golam Mostofa, to write Islamic songs too. Later, during the Liberation War of Bangladesh, he wrote some patriotic songs.
दंगा फसाद पर
भारतीय किसानों और देहात और जनपदों के प्रतिनिधि जसीमुद्दीन की दो बेहद खास कृतियां हैं।नक्शी कांथार माठ और सोजन बादियार घाट।
ईस्ट इंडिया कंपनी की अवैध संतानों ने कैसे इस भारत तीर्थ को बंटवारे का शिकार बना दिया और कैसे आज भी बंटवारे का सिलसिला जारी है,बंगाल के गांवों की समूची खुशबू और तमाम झांकियों के साथ इस देहाती कवि,पल्ली कवि ने अपनी इन कृतियों में अपने कलेजे के खून के साथ पेश की है।
दोनों कृतियां क्लासिक हैं और दुनियाभर में मशहूर हैं और हम फिलहाल नहीं जानते कि क्या जसीमुद्दीन की आत्मा से खंडित भारत की जनता का कोई परिचयहै या नहीं क्योंकि बंगाल में स्वतंत्रता सेनानियों को जैसे भूल गये लोग,इस मुसलमान कवि को बी लोग भूल जाते अगर नांदीकार जैसे थिएटर ग्रुप और कल्याणी जैसे कस्बों के रंगकर्मी सोजन बादियार घाट और नक्शी कांथार माठ का मंचन नहीं करते।
वैसे अब्बासउद्दीन और जसीमुद्दीन का कृतज्ञ भारतीय सिनेमा और संगीत को भी होना चाहिए।इन दोनों ने मिलकर ही आल इंडिया रेडियो के लिए मैमन सिंह गीतिमाला,वहीं मैमन सिंह,जहां से तसलिमा नसरीन हैं,भाटियाली और ग्राम बांग्ला का संगीत गीत तमामो खोज निकाले।
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